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Fender Hot Rod Deluxe - Michael Landau - que parlantes?


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Mikes full set-up lo encontre en su pagina web!, scott henderson tambien habla muy bien del fender hot rod (el deluxe) que probo uno que le gusto mucho y despues probo uno stock no le gusto para nada y se dio cuenta de que poniendole un celestion65 cambiaba radicalmente y le gustaba.. hasta george benson tiene un hot rod deluxe ahora.. claro que con un v30...  es un ampli tremendo por lo que sale



Live pedal board setup (all pedals are before the amp in this order)
Maxon SD-9
Lovepedal COT 50
Real Mccoy Wizard Wah
Arion Stereo Chorus (in mono, true bypass mod)
Roger Mayer Voodoo Vibe
Boss Volume Pedal FV500H
Line 6 DL4

I sometimes use a Lexicon MPX-1 in the effects loop of the amp with a Suhr Mini Mix for reverb and delay, or I take a speaker line out of the amp into a Palmer PGA-4 Speaker Simulator into the Lexicon MPX-1 into a Marshall Valvestate 8008 power amp into 2 Custom Audio 2x10 cabs with Celestion Vintage 10 speakers. These 2 cabinets have the wet sound only.

Amps I use live:
Custom Audio OD100 Classic Plus
Dumble Slide Winder head
Fender Hot Rod DeVille 2x12 with Eminence Tonespotter speakers
'64 Pro Reverb with Eminence Tonespotter speakers
'64 Super Reverb with Dumble Ultra Phonix mod
Kerry Wright 4x12 open back slant cabinet with Celestion Heritage Series G12-65's
Kerry Wright 2x12 open back cabinet with Celestion Heritage Series G12-65's

Studio setup:
I mic the cabinet with a Shure SM57 through a Chandler LTD-1 mic pre, that signal is fed to the line in on the Custom Audio Interface. The rig was designed by Bob Bradshaw @ CAE.

The effects rack has the following:

Tri Stereo Chorus 618
Eventide H3000 D/SE Harmonizer
Lexicon MPX-1
Two Line 6 Echo Pro's (1 in line, 1 in the Custom Audio mixer)
TC G-Force processor
Two Lexicon PCM 42's (left and right)
Boss SE-70
Custom Audio Super Tremolo

I use this setup only for recording because the line level processing is after the dry cabinet (in other words, I insert the rack effects between the dry cabinet and the recording console)

Amps I use for recording:
Dumble Slide Winder head
Custom Audio OD100 Classic Plus
Suhr Badger 18 watt
'64 Deluxe Reverb with Dumble Ultra Phonix mod
'67 Plexy Marshall 100 watt Super Bass head
Phil Jameson custom 30 watt head
Kerry Wright 4x12 open back slant cabinet with Celestion Heritage Series G12-65's
Kerry Wright 2x12 open back cabinet with Celestion Heritage Series G12-65's
Bogner 4x12 straight cabinet with Celestion Vintage 30's

These are the guitars I use live and in the studio:

'63 Fiesta Red Fender Stratocaster.
'68 Sunburst Fender Stratocaster with Suhr SSV in bridge.
'69 Black Fender Stratocaster with Suhr FL's neck and middle, Suhr SSV in bridge,
Suhr Silent Single Coil System.
'63 Gibson SG.
'68 Gold Top Les Paul with Seymore Duncan Antiquity Humbuckers
'52 Telecaster
Suhr Stratocaster with Suhr FL's neck and middle, Suhr SSV in bridge,
Suhr Silent Single Coil System.
'97 Fender Custom Shop Stratocaster with Suhr FL's neck and middle,
Suhr SSV in bridge, Suhr Silent Single Coil System.
Suhr Telecaster with Suhr S-90 in neck, Suhr Classic Tele in bridge.
Tyler Stratocaster with EMG pickups

Edited by Nu9v9
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@@LUCIANO de nada! mira que igual que scott ambos coinciden en que es un ampli portable para tocadas de bajo volumen y comodo de llevar.. en los discos no lo usa jamas por las dudas.

benson solo lo usa por contrato supongo..

ahora que releo todo lo que copie del rig, veo muchas strato con mics suhr...mmmm ya me pica el gassssss tengo que conseguir un juego de esooos

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