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MusicMan

line 6 pod pro rack

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hola todos! estoy pensando seriamente en ponerme a juntar $$$ para comprarme este multiefecto, sisi me dio un ataque de GAS

 

mi idea es usar este rack solo para los efectos, el el loop de efectos de un ampli valvular. Por cuanto se consiguen esos rack por estas pampas?. tambien me interesarias el controlador.

 

esto es bastante$$$ , hay alguna opcion mas economica que este rack(sin contar pedales) ?

si alguien tiene uno de estos me gustaria saber que opina de los efectos y modulaciones , saludos musiquiatras!

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Hola loco! mira si es para eso yo tendria el riñon jaja el que no es de rack, porque en si los efectos son los mismos,

ahora si yo fuera vos me tiraria a una multi efectos tipo Rocktron o T.C. que me parece lo mas adecuado

 

 

Abrazo!

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creo que no elegiría un pod para efectos, a mi lo que mas me gusta son las emulaciones de amplis, cosa que no vas a usar...

 

adhiero a carlos, particularmente me gustaria probar un tc electronics, no estoy seguro exactamente que modelo es, el g major o el g minor, que vienen solamente efectos y es bastante economico (en comparacion de los bestiales precios de los productos de tc)

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creo que no elegiría un pod para efectos, a mi lo que mas me gusta son las emulaciones de amplis, cosa que no vas a usar...

 

adhiero a carlos, particularmente me gustaria probar un tc electronics, no estoy seguro exactamente que modelo es, el g major o el g minor, que vienen solamente efectos y es bastante economico (en comparacion de los bestiales precios de los productos de tc)

 

Creo que la mayoria de los productos de tc traen solo efectos y nada de distorsiones ni overdrives, por lo que se el g major es el procesador mientras que la g minor es para controlar los efectos del g major. Yo iria por ese antes que por el pod.

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Hace un tiempo vi un tc electronic gminnor creo? en Mannys, suena increible, pero usado y todo era mas caro que un pod pro rack nuevo...

 

alguien sabe si hay una importador(una casa de musica) en talca que sea importador oficial de tc electronics o de rocktron , hay un modelo de Rocktron el Expression que parece ser muy bueno, alguien sabe en donde se pueden conseguir, precios?...alguien que lo tenga y este contento con los sonidos del multiefecto?

 

 

tambien tengo la opcion de encargarlo por internet, pero la verdad preferiria ahorrar y comprarlo en una casa que tenga atencion al publico. cualquier info agradecido...saludos musiquiatras!

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creo que no elegiría un pod para efectos, a mi lo que mas me gusta son las emulaciones de amplis, cosa que no vas a usar...

 

adhiero a carlos, particularmente me gustaria probar un tc electronics, no estoy seguro exactamente que modelo es, el g major o el g minor, que vienen solamente efectos y es bastante economico (en comparacion de los bestiales precios de los productos de tc)

 

Creo que la mayoria de los productos de tc traen solo efectos y nada de distorsiones ni overdrives, por lo que se el g major es el procesador mientras que la g minor es para controlar los efectos del g major. Yo iria por ese antes que por el pod.

 

eso, eso! el gmajor!

 

mas info

 

With the G•Major, TC Electronic introduces a Guitar Effects Processor in the “affordable†price range. You should however not be deceived by the price as the G•Major delivers true top quality processing with no unwanted coloring of your beloved guitar-tone.

 

As one of the leading companies in the business of signal processing the vast amount of knowledge and experience concentrated at TC Electronic is all for your benefit. Though each product is unique it is worth noticing the success and achievement gained on other products from TC Electronic.

Prices won for astounding Reverb quality, Compression techniques and numerous other classic TC effects such as Dynamic Delay and Chorus guaranties also the quality of this product. Logical operation via the intuitive user interface will let you setup a series of quality sounds accessible from any attached MIDI pedal in just a few minutes.

 

The quality of the effects in the G•Major are guaranteed, but furthermore we are confident that once you have spent a few hours twisting the few controls on the G•Major, you will start to appreciate the numerous possibilities within the G•Major.

 

efectos del g major

 

Effects

Noise Gate

A Noise Gate is generally used to attenuate the signal when you don’t play the guitar. This way you can avoid hearing the entire hiss, hum and other noise you might have on your system. If you have previously used a dedicated Noise Gate stomp-box or rack-unit, chances are that you have had to compromise finding a setting that matched both the dynamics of your clean sounds and the hiss and noise of the overdriven and distorted sounds.

 

With the G•Major Noise Gate you do not have to compromise. The Noise Gate settings are saved at preset-level, meaning that you can dedicate the optimal Noise Gate for each preset.

 

EQ

The G•Major EQ is a three band parametric equalizer. Use the EQ as

 

* a general compensation to perfectly match you’re the rest of your rig

* to give radical changes to your sound

* to give that extra edge on specific sounds when needed

 

 

 

Compressor

With a full set of standard compression parameters: Threshold, Ratio Attack and Release your compression needs are fully covered whether you need a subtle compression to even out levels, or a hard compression for just that distinct compression that lets the guitar stand out!

 

Chorus - Flanger

It is more than 25 years ago TC Electronic launched its famous SCF (Stereo Chorus Flanger) pedal. Our experience in that area is undisputed and you will of course also benefit from this in the G•Major Major.

 

Classic mode offers the high quality Chorus/Flanger with common parameters. The Advanced mode also includes Phase Reverse and Golden Ratio.

 

Vibrato

A Vibrato effect modulates the incoming pitch. The result is similar to the vibrato technique used by vocalists. As opposed to a Chorus effect, no direct signal is combined with this pitch modulation.

 

Resonance Filter

The G•Major Resonance filter is basically a Hi Cut filter with adjustable Q-factor (Resonance).With increased Resonance value, the filter peak at the cut-off frequency gets very narrow and steep. This phenomenon is the very core of the characteristic sound of Resonance filters.

 

Phaser

There are two effective and good phaser types. The Vintage Phaser will give you the phasing effect similar to the one found in old stomp boxes. The Smooth Phaser is a more subtle type. Excellent for a less dominate effect. The Vintage Phaser utilizes four All-pass filters. These filters create a comb-looking characteristic. When the filtered sound is mixed with the direct sound the “phasing sound†occurs.

 

The Smooth Phaser utilizes twelve All-pass filters. Due to the higher number of filters in the Smooth Phaser, compared to the Vintage Phaser, the Smooth Phaser simply sounds smoother than the Vintage type.

 

Tremolo

A Tremolo is basically a change of level controlled by an LFO. The G•Major holds variations from soft and smooth to hard and aggressive Tremolo.

 

Panner

The panner simply pans the signal from Left channel to the Right.

 

Delay

 

 

PingPong

Create truly spacious Delays using the PingPong algorithm that alternates the repeats between Left and Right channels to the extent predefined by you!

 

Dynamic Delay

The Dynamic Delay initially introduced in the well-recognized TC 2290, is a function that allows the Delay Output level to be actively altered by the dynamics of the Input level. A function that can be used to leave the source material clear and undisturbed while played and delicately accompanied by the Delay between phrases.

 

Dual

The Dual Delay algorithm allows you to have two Delay lines running at the same time. In other terms, you have two separate Delay “units†in parallel, each with its own set of parameters.

 

Pitch Detune

A Detune effect has a sound that to some extent can be associated with a Chorus effect. The source signal is split and a specified amount of the signal is detuned by an amount of cents specified by you. (100 cents is 1 semitone). The main difference between the Detune effect and the Chorus effect is that the Detune amount does not change. It is a split signal where you simply offset the pitch.

 

The Detune algorithm in the Pitch block holds two voices. If you think your sound is simply too direct and clean, try out a setting with only a few cents off detune on both voices. - E.g. +2 cents on Voice 1 and -3 on Voice 2.

A Delay for each voice can be applied as e.g. a Slapback effect.

 

Whammy

The Whammy effect gives you the opportunity to control the pitch of an added voice with an external MIDI Expression pedal.

 

Pitch Shifter

With the G•Major Pitch Shifter you are able to add 2 voices, each with a fixed pitch within +/- one octave from the Input note. The processing of the G•Major is at a speed where you will never notice any “searching†for the notes as with many older octaver units or octaver stomp boxes. Try lowering the single Voice to -1200 cents (100 is one semitone). With a Mix level of 100 you will be able to get at pretty good bass-simulation.

 

Reverb

TC Electronic, being one of the worlds leading companies in Reverb technology, has put Reverbs in the G•Major that only need a few words of presentation. We have included the Reverb types most used and demanded by Guitar players, with the parameter handles necessary to cover your needs.

 

We have included the following subtypes:

 

Spring - for that classic combo amp reverb

 

Hall - For the large spacious lead

 

Room - for the generic room simulation at lower decay times

 

Plate – for the classic grainy reverb

 

 

 

 

 

ah! el pod xt pro, sale mas caro que el g major y el g minor juntos, segun la pagina de una conocida casa de musica de rosario, oliveira

 

saludos!

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